Accumulating nearly 10 billion streams, GRAMMY-winning Swedish theatrical rock band and global sensation GHOST continues to bring the “euphoric spectacle” (ROLLING STONE) of its live shows to ever-growing crowds, most recently on last year’s triumphant RE-IMPERATOUR U.S.A. 2023, which hit more than two dozen North American cities before its two-night finale at the Kia Forum in Los Angeles. In March 2022, THE LOS ANGELES TIMES reported in a Calendar cover story that GHOST had “conquered metal and the charts” when its fifth album IMPERA debuted at #1 in a sweep of the U.S. album charts, entering the BILLBOARD 200 at #2 and bowing at #1 in the band’s native Sweden, Germany and Finland, while cracking the top 5 in another half dozen or more countries. Featuring “Spillways”—hailed as a “sweetly constructed rock tune” by THE NEW YORK TIMES and later reimagined with Joe Elliott of Def Leppard—and the GRAMMY-nominated “Call Me Little Sunshine,” GHOST’s fifth #1 at Active Rock radio—IMPERA moved ROLLING STONE to remark, “GHOST predicted the pandemic, now the metal band is foretelling the fall of empires.” The album presented the most current and topical GHOST subject matter to date set against a darkly colorful melodic backdrop making IMPERA a listen like no other—yet unmistakably, quintessentially GHOST. Having closed out 2022 by cracking the Billboard Hot 100 for the first time, with the RIAA platinum-certified “Mary on a Cross,” as well as IMPERA winning Favorite Rock Album at the American Music Awards and Best Rock Album of the Year at the iHeart Radio Music Awards, GHOST unveiled PHANTOMIME, a five-song covers EP including the version of Iron Maiden’s “Phantom of the Opera” that earned the band its fifth GRAMMY nomination. GHOST’s seemingly limitless ambition will soon take the band to the silver screen with the June 2024 theatrical premiere of the feature film RITE HERE RITE NOW.